Headline

Black and white photograph of a person in medium shot holding a multi-stringed musical instrument close to their face, wearing a light-colored long-sleeved shirt, with a neutral expression and gaze directed towards the camera, against a uniform gray background.

Ivan Vilela brings together popular knowledge and academia during his residency at the Institute for Advanced Studies.

Guitarist, composer, and researcher proposes a dialogue between academic knowledge and oral tradition to discuss music and memory.

Two people in a studio with blue and gray curtains in the background, one on the left wearing a brown t-shirt and the other on the right wearing a white t-shirt with the text "MICROPLASTIC", both seated in chairs, with display monitors visible in the background showing content related to microplastics, and ambient blue lighting complementing the scene.

Microplastics: a challenge that science is trying to understand.

The Plast-Agrotox project seeks to fill gaps in knowledge about the fates and impacts of pesticides and micro and nano plastics.

A doctor from Unicamp created the first textbook on Pathological Anatomy in the country.

The work sought to fill the gap in study resources for medical students and became a reference for over 30 years.

Interior space with blue walls decorated with graffiti, gray floor, containing a white circular basin with colored plastic waste and a gray metallic fish positioned on the debris, red and colorful flowers arranged in vases scattered on the floor, people standing in the background near an opening, and visible support structures on the ceiling.

At Unicamp, an advanced school brings together leading national and international experts in microplastics research.

An international course will be held from September 1st to 11th and aims to train the next generation of professionals to tackle plastic pollution.

A sequence of five photographs showing people in outdoor and indoor settings: the first image shows a person in a white t-shirt and another in a red t-shirt in a wooded area; the second image shows people standing outdoors; the third image shows a person with their back turned, observing a remote-controlled drone on a surface; the fourth image shows a group of people gathered in a covered space with a yellow structure; the fifth image shows a group of people near an agricultural vehicle with a large tire, some wearing blue and red t-shirts in an outdoor setting.

More than 60 people celebrate Unicamp's 64th anniversary at UPA 2026.

A traditional event at the University brought together students from five states in the country and had a record attendance.

Multiple people walking and circulating in a tree-lined public space with red concrete flooring, some wearing coats and backpacks in shades of blue, black, red, and purple, with trees and blue information structures in the background, a person in a wheelchair visible on the right, and natural light indicating daytime.

UPA reaches adulthood with its doors open to the future.

The 21st edition of the program takes on a special character within the celebrations of the University's 60th anniversary.

A digital illustration in shades of blue depicting a silhouetted person wearing business attire, holding a mobile device controlled by strings attached to the hands of another silhouetted figure above, amidst floating icons of technology, growth charts, a slot machine, coins, risk alerts, and the text "BET NOW" and "QUICK WINS," representing digital manipulation and online gambling addiction.

Manipulative design and compensation that never arrives.

'Obscure' patterns in betting platforms encourage compulsive behavior, researcher warns.

A person seen from behind holding a smartphone with a screen displaying a wave pattern in cyan and white colors, with a background in shades of magenta, green and blue with a digital distortion effect and blurred text characters, creating a cyberpunk glitch art aesthetic.

Before tragedy strikes

A group at the Unicamp Hospital already includes around 30 people seeking regular treatment for gambling addiction.

city museum exhibition

Three cities, one history: exhibition revisits Unicamp's 60 years.

The exhibition brings together documents and photos to show how Campinas, Limeira, and Piracicaba grew alongside the University.

An event in an auditorium with an elevated stage where several people are standing in front of banners, one on the left with the text "VESTIBULAR UNICAMP" on a green and blue background, and another in the background with a black and white portrait of a person with colorful geometric elements in shades of blue, yellow and pink, while a large audience of seated people observes the scene, with professional sound equipment to the right of the stage, studio lighting, and various objects on the stage surface including what appears to be a red uniform.

Culture and Society

At Unicamp, Conceição Evaristo says that Honoris Causa is recognition for Black women.

The author gave an open lecture at the Auditorium of the Permanent Commission for University Entrance Exams (Comvest) and visited the AEL facilities.

Two people positioned side by side in a collage composition against a blurred background in shades of green and blue; the person on the left wears a white blouse with embossed details and a light beige jacket, has wavy white hair and their left hand is near their face; the person on the right wears a light blue shirt and a gray blazer, has gray hair and a beard, both looking towards the camera with a neutral expression, with turquoise buildings and blurred urban structures in the background.

Unicamp approves granting of an honorary doctorate to writer Conceição Evaristo.

For the first time, the honor is given to a Black woman; Uruguayan biochemist Rafael Radi also received the academic recognition.

Images produced by Carlos Brandão, displayed on the walls of the administration building of the Latin America Memorial.

Exhibition at the Latin America Memorial celebrates Unicamp's 60th anniversary.

Organized by the Memory Center, with support from the Consulate General of Mexico, the exhibition brings together photographs produced by Carlos Brandão.