Edition: 734

This image is a montage combining two of the previous photos. In the background, we see the three abstract and geometric art paintings, side by side in their wooden frames. Superimposed right in the center of the image, covering the middle painting, is a black-and-white photograph of the artist with a beard and glasses. His photo is presented within a semi-transparent rectangle, which makes the colors of the paintings below appear softer in this area. The composition unites the creator and his creation, placing the artist's portrait directly at the center of his work.

Bahian Modernism and the Invisibility of Black Artists

This image depicts a scene inside a research or analysis laboratory. In the foreground, a young man with dark hair and a beard sits, wearing a white lab coat, peering intently through the lens of a large, modern microscope. Standing beside him, an older man, also in a lab coat, observes him, appearing to supervise or direct the work. To the left, a computer monitor displays a microscopy image of cells or tissues in bright red hues. The environment is well-lit and functional, typical of a scientific space.

Drug combination shows promise against mouth cancer

According to the study, in situations of health crisis, it is essential that pregnant women who have recently given birth are considered priority groups for health care.

Maternal mortality doubled during the pandemic

This image is the famous and magnificent historical painting "The First Mass in Brazil" by Victor Meirelles. The work depicts an outdoor scene in a lush tropical landscape, representing the first religious contact between the Portuguese and the indigenous peoples of Brazil. The central point is a makeshift altar where a priest, dressed in solemn white robes, celebrates Mass before a large wooden cross. Surrounding the altar are the Portuguese colonizers—dressed in period costume, including armor, noble robes, and monks' habits—all intent on the ceremony. In a large semicircle around the Portuguese, a crowd of indigenous people, naked or semi-naked, observe the ritual with expressions of curiosity, amazement, and fascination. Their postures vary: some are sitting on the ground, others standing, and some even climb a tree for a better view of the scene. The painting conveys an idealized atmosphere of a peaceful and solemn encounter, marking a founding moment in the country's history.

'Interpreters of Brazil' and the challenge of deconstruction

This is a close-up photograph focusing on the hands of a person, possibly a scientist or laboratory technician. The hands hold two small Petri dishes (round, transparent containers), each containing grain samples, which resemble raw (green) coffee beans. In the background, an open laptop screen displays graphs with colored lines, indicating the analysis of scientific data related to the samples. The image is brightly lit and professionally designed, suggesting a process of quality control, research, or technological analysis of agricultural products. The composition combines the natural element (the grains) with technology (data analysis on a computer).

The time and place for canephora coffee

This photograph has a rustic, natural atmosphere, focusing on a campfire. At the top of the image, a light-colored metal campfire pot filled with water rests on large stones. Below the pot, the embers of the fire glow brightly in shades of red and orange, with flames and smoke rising around them. The rest of the scene, at the bottom of the photo, is dark and shadowy, allowing the light and heat of the fire to stand out. The image conveys a sense of camp, simplicity, and the comfort of a meal prepared outdoors.

Hunger, feminine noun

Investment Chart

Exchange rate risk, between theory and practice

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The metropolis that remained on paper

João Falchi Trinca (featured): bibliophile has assembled the largest private collection about the city

One collection, infinite stories