Edition: 731

Man_Cesinha_Coelho
Unicamp celebrates one hundred days of new management
fruit stand and women nearby, with a car passing on the street in the background
Periphery struggles to adapt to food insecurity
The avocet, one of the species studied: methodology involved recording all birds seen and heard at a given point
'Urban filter' explains decline in bird diversity in Campinas
The image shows a portrait of an elderly woman with short, wavy white hair, weathered skin, and a serene expression. She wears a pearl necklace and small earrings, conveying elegance and simplicity. The gray background features, overlaid, excerpts of text written in large cursive letters, which appear to be verses from a poem. The composition unites the woman's figure with poetic writing, suggesting a connection between her life and literature.
Project brings together the life and work of the first Brazilian to publish haiku
Research conducted by a computer engineer received a human rights award from Unicamp and the Vladimir Herzog Institute
Algorithm speeds up delivery by bicycle
Man_Photos_LP_
Is sustainable mining possible?
The image shows a book cover highlighted against a background reminiscent of the famous "green code" from the film The Matrix, with columns of green characters and symbols on a black background. In the center, the book's cover appears against a gray background. The title, in red letters, reads: "ALGORITHMS AND DATA STRUCTURES," followed in white by "Concepts and Applications." The author, Hélio Pedrini, appears at the bottom. At the base of the cover, there is an illustration of a binary tree structure with numbers at the nodes, representing a concept of data organization in computing.
Theory and practice deepen knowledge about computing
Franciny-dos-Santos-Dias-Man
Gymnastics inherits practices of structural racism
The image is divided into two parts, with a soft blending effect. On the left, there's an old sepia-toned photograph showing four soldiers in military uniform, standing side by side in front of a wooden and straw hut, conveying camaraderie. On the right, there's a portrait of a young woman, also in sepia tones, with her hair tied back in a full sweep at the sides, long earrings, and a soft expression, looking sideways with a slight smile. The montage places the world of war and that of feminine delicacy side by side, creating a contrast between the two period photographs.
Love Letters in Times of War